Abstract
Proper representation of music must often be ambiguous and/or multiple.
I give examples of this and propose some high-level strategies.
BibTeX - Entry
@InProceedings{marsden:DagSemProc.09051.2,
author = {Marsden, Alan},
title = {{Ambiguity and Multiplicity in Music Representation}},
booktitle = {Knowledge representation for intelligent music processing},
pages = {1--3},
series = {Dagstuhl Seminar Proceedings (DagSemProc)},
ISSN = {1862-4405},
year = {2009},
volume = {9051},
editor = {Eleanor Selfridge-Field and Frans Wiering and Geraint A. Wiggins},
publisher = {Schloss Dagstuhl -- Leibniz-Zentrum f{\"u}r Informatik},
address = {Dagstuhl, Germany},
URL = {https://drops.dagstuhl.de/opus/volltexte/2009/1969},
URN = {urn:nbn:de:0030-drops-19694},
doi = {10.4230/DagSemProc.09051.2},
annote = {Keywords: Music Representation}
}
Keywords: |
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Music Representation |
Collection: |
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09051 - Knowledge representation for intelligent music processing |
Issue Date: |
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2009 |
Date of publication: |
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02.04.2009 |