Abstract
AARON is a semi-autonomous art-making program that has been under continuous development for nearly forty years. This paper discusses the origins and development of two critical features in it's most version; a coloring algorithm and an algorithmic shape generator. It concludes that for the foreseeable future, "computational creativity" does not so much describe the creative capabilities of a computer program as the nature of the collaborative relationship between program and programmer.
BibTeX - Entry
@InProceedings{cohen:DagSemProc.09291.31,
author = {Cohen, Harold},
title = {{The Art of Self-Assembly: the Self-Assemby of Art}},
booktitle = {Computational Creativity: An Interdisciplinary Approach},
series = {Dagstuhl Seminar Proceedings (DagSemProc)},
ISSN = {1862-4405},
year = {2009},
volume = {9291},
editor = {Margaret Boden and Mark D'Inverno and Jon McCormack},
publisher = {Schloss Dagstuhl -- Leibniz-Zentrum f{\"u}r Informatik},
address = {Dagstuhl, Germany},
URL = {https://drops.dagstuhl.de/opus/volltexte/2009/2202},
URN = {urn:nbn:de:0030-drops-22023},
doi = {10.4230/DagSemProc.09291.31},
annote = {Keywords: Computational creativity}
}
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Keywords: |
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Computational creativity |
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Collection: |
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09291 - Computational Creativity: An Interdisciplinary Approach |
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Issue Date: |
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2009 |
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Date of publication: |
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07.10.2009 |
Creative Commons Attribution 4.0 International license (CC BY 4.0)