License: Creative Commons Attribution 4.0 International license (CC BY 4.0)
When quoting this document, please refer to the following
DOI: 10.4230/DagSemProc.09291.30
URN: urn:nbn:de:0030-drops-22087
URL: http://dagstuhl.sunsite.rwth-aachen.de/volltexte/2009/2208/
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Berry, Rodney

TANGIBLE REPRESENTATIONS AND MODES OF CREATIVE ENGAGEMENT

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09291.BerryRodney.Paper.2208.pdf (0.2 MB)


Abstract

Tangible interfaces are finding their way into various areas of creative
activity, particularly in the creation of music. Tangible
representations of musical information, together with their graphical
counterparts, play an important role in increasingly complex
representational systems. This paper explores the relationships between
these representations in the context of various modes of compositional
(and by extension, creative) engagement adopted by composers in their
working process.


BibTeX - Entry

@InProceedings{berry:DagSemProc.09291.30,
  author =	{Berry, Rodney},
  title =	{{TANGIBLE REPRESENTATIONS AND MODES OF CREATIVE ENGAGEMENT}},
  booktitle =	{Computational Creativity: An Interdisciplinary Approach},
  pages =	{1--10},
  series =	{Dagstuhl Seminar Proceedings (DagSemProc)},
  ISSN =	{1862-4405},
  year =	{2009},
  volume =	{9291},
  editor =	{Margaret Boden and Mark D'Inverno and Jon McCormack},
  publisher =	{Schloss Dagstuhl -- Leibniz-Zentrum f{\"u}r Informatik},
  address =	{Dagstuhl, Germany},
  URL =		{https://drops.dagstuhl.de/opus/volltexte/2009/2208},
  URN =		{urn:nbn:de:0030-drops-22087},
  doi =		{10.4230/DagSemProc.09291.30},
  annote =	{Keywords: Computational creativity}
}

Keywords: Computational creativity
Collection: 09291 - Computational Creativity: An Interdisciplinary Approach
Issue Date: 2009
Date of publication: 07.10.2009


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